Ten of the best Hamlets

Tom Jones by Henry Fielding

Tom arrives in London and goes with his witless companion Partridge to see Garrick play Hamlet. Partridge is unimpressed. “‘He the best player!’ cries Partridge, with a contemptuous sneer, ‘why, I could act as well as he myself. I am sure, if I had seen a ghost, I should have looked in the very same manner, and done just as he did.'”

The Rivals by Richard Brinsley Sheridan

Mrs Malaprop naturally has a Bardic bent. Talking of Sir Anthony Absolute’s handsome son, she remembers Hamlet’s praise of his father only a little inaccurately. “‘Hesperian curls – the front of Job himself! – An eye, like March, to threaten at command! – A station, like Harry Mercury, new . . .’ Something about kissing – on a hill.”

Wilhelm Meister’s Apprenticeship by Johann Wolfgang von Goethe

In Goethe’s Bildungsroman, the hero owes the formation of his character as much to Shakespeare’s plays as to any experience of the world. Wilhelm joins a theatrical company and stars in its production of Hamlet. Several chapters are devoted to scene-by-scene analysis of the play, leading to a triumphant performance.

Great Expectations by Charles Dickens

Pip and Herbert Pocket watch the absurd Mr Wopsle play “that undecided prince” in a production heckled by a rowdy London audience. “On the question whether ’twas nobler in the mind to suffer, some roared yes, and some no, and some inclining to both opinions said ‘Toss up for it’ and quite a Debating Society arose.”

Ulysses by James Joyce

In the “Scylla and Charybdis” section Stephen Dedalus opines about the Dane, hinting at Shakespeare’s covert Catholicism. “Not for nothing was he a butcher’s son wielding the sledded poleaxe and spitting in his palm. Nine lives are taken off for his father’s one, Our Father who art in purgatory.” He reckons the play was written out of Shakespeare’s anger at being cuckolded.

“William Holds the Stage” by Richmal Crompton

William has set his heart on playing Hamlet in the school play and takes the stage, uninvited, to deliver the “To be or not to be” soliloquy. His recall is about as accurate as Mrs Malaprop’s, but still remarkable, as he delivers the speech while chased by stagehands.

“Hamlet” by Boris Pasternak

All well-read Russians have been happy to discover their own predicament in the situation of the Great Dane. Pasternak’s narrator is an actor about to play the role: “I’ve slowly come out / To the stage, and leaning at the door, / Try to gasp in echo’s distant sounds, / What’s prepared for me in my life’s store”. Then he becomes the part. “It is defined – the action’s order, / And the road’s end . . . hypocrisy’s all over”.

The Black Prince by Iris Murdoch

Writer Bradley Pearson develops a tendresse for Julian, the daughter of a friend who is also a rival author. His affair with her would be sufficient revenge, but is twisted by his obsession with Hamlet. He can consummate his passion for the epicene Julian only when she dresses up as the prince.

Rosencrantz and Guildenstern Are Dead by Tom Stoppard

Hamlet’s antics as seen by two childhood friends, drafted in by Claudius to find out what the prince is up to. They’re as mystified by his words as the most befuddled A-level candidate, though they see he is “stark raving sane”.

Lunar Park by Bret Easton Ellis

The novelist admits that he thinks of himself as Hamlet. In Lunar Park a character called Bret lives on Elsinore Lane, goes to places like Fortinbras Mall, Osric hotel and Ophelia Boulevard. He is haunted (down the phone) by the spirit of his father, whose death he is called to avenge.


Full article: http://www.guardian.co.uk/books/2010/dec/04/ten-best-hamlets